Instructions are attached to the word document below. Read the story in the links attached below and write a (4 pages maximum, Arial 12 font, double spaced, MLA style) explaining the below questions:

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Instructions are attached to the word document below.

Read the story in the links attached below and write a (4 pages maximum,  Arial 12 font, double spaced, MLA style) explaining the below questions:

  • I want you to delve deeper into the story. What lesson, moral, or universal truth is the author leading readers to?
  • What I really want you to show me is that you have an understanding of, and can give examples by name, (without re-telling the story)
  • Foreshadowing?
  • What kinds of Conflicts do you see? in other words, what’s driving the narrative (antagonist vs protagonist)?
  • Is there heavy use of Symbolism?
  • How many kinds of Irony can you identify (in its different forms)?
  • Is there heavy use of Motif?
  • Themes (what are the main ideas driving the narrative)?
  • Read “between the lines” and interpret what you think the story really means, or what philosophical ideas or universal truths the author is using the story to discuss.

Instructions are attached to the word document below. Read the story in the links attached below and write a (4 pages maximum, Arial 12 font, double spaced, MLA style) explaining the below questions:
BELOW IS A LINK TO THE STORIES YOU NEED TO READ AND ALSO THE DEFINITIONS OF THE LITERARY TERMS CHAPTER THREE: AMERICANA “A Good Man is Hard to Find,” by Flannery O’Connor. http://www.mrdoige.com/documents/oconnor_aGoodManIsHardToFind.pdf “A Summer Tragedy,” by Arna Bontempts. http://jfannon.weebly.com/uploads/5/1/4/1/5141329/a_summer_tragedy.pdf “Occurrence at Owl Creek Bridge” by Ambrose Bierce.  https://shortstoryamerica.com/pdf_classics/bierce_owl_creek_bridge.pdf “Battle Royale”, by Ralph Ellison. https://learning.hccs.edu/faculty/selena.anderson/engl2307/readings/battle-royale-by-ralph-ellison Here is a list of literary terms you’ll need to become familiar with in order to gain a fuller understanding of how literature works. First, the foundational elements of fiction: PLOT CHARACTERS SETTING TONE POINT OF VIEW THEME Next, other, more nuanced author tools:  LITERARY TERMS PROTAGONIST: The main character – whether hero or anti-hero – in a story. The character you identify most with. ANTAGONIST: The character who opposes the main character in one way or another. CONFLICT: A struggle between two opposing forces that drives the narrative’s plot. The two forces in conflict can be two characters, a character and his environment or society, or two large social groups. Conflict can also be wholly INTERNAL, as when a character struggles with his or her psychological issues or conflicting desires. FORESHADOWING: Early events or “clues” in a story suggest how the story will ultimately be resolved at the end. SYMBOLISM: A “symbol” in a story is an element that stands for something other than its literal meaning. Ex., the snake in the garden of Eden story. DIALOG: Characters speaking to each other. EXPOSITION: Any part of the narrative that provides background information necessary to understanding the story. In other words, anything that’s not DIALOG. METAPHOR: A figure of speech not meant to be factually true, in which one thing is compared or substituted for something else. Ex., “She took off like a bat out of hell!” MOTIF: Any element in the story that is REPEATED and developed throughout the narrative. Example, the color red might be referenced over and over in the story, or the protagonist might have a recurring nightmare. NARRATOR: The voice or character who relates the story of the narrative. The narrator is NOT to be confused with the AUTHOR of the story. DEFINITIONS OF IRONY SIMPLE IRONY: The text operates on at least TWO levels of meaning. DRAMATIC IRONY: Occurs when readers (or the viewers when referring to movies) has information that characters in the story DON’T (example: the audience knows that Juliet is not dead, but Romeo thinks she is). SITUATIONAL IRONY: Occurs when the story turns out to be the OPPOSITE of what’s expected. COSMIC IRONY: Occurs when the character can do nothing to change the fate that is prepared for him or her. VERBAL IRONY: Occurs when the words spoken are the OPPOSITE of the meaning intended.

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